I like to seek out, in thought, the liminal space – that place between two boundaries, where one can simply flow like water. In my artistic practice, which spans analog black-and-white photography, painting, and sculpture, I try to make the atmosphere of such liminal spaces visible. Within these liminal spaces, a state of freedom emerges for me. They are zones in which thoughts can develop without being immediately seen, controlled, or appropriated.
I understand these liminal spaces not only spatially, but above all temporally. We make decisions at every moment, yet it is time alone that determines when what we intend actually manifests. In this sense, time is the true shaper of our existence; only time can fully unfold the dimension in which we move and experience. Coming into being, change, and perception are always temporal processes.
Freedom does not reveal itself in the moment of fixing something in place, but in the unfolding – in the phase of not-yet and perhaps. Time decides when something takes shape, and when it continues to grow, unseen.
My photographs, paintings, and sculptures are not depictions of spaces, but visual experiences of an inner, temporal becoming. They arise from the need to capture that sensitive state in which form, material, and meaning are still in process – open, mobile, organic.
I understand my artistic practice as an attempt to weave together space and time: as an invitation to enter places of possibility, which are becoming increasingly rare in our accelerated, over-structured present – places where life and art can unfold undisturbed, before being named, categorized, or instrumentalized.
